Bela Fleck

Bela Fleck is going to be my guest today on Lightning 100. He will be here at 1pm for a live broadcast and his bringing his Banjo. I plan on discussing his release, Throw Down Your Heart, which is also a documentary movie he did during a six week trip to Africa. He is playing Ryman Auditorium next month on April 8th and Bonnaroo this summer. I already had a chance to do a quick interview with him, while he was here taping an upcoming episode of Music Business Radio a couple weeks ago. We should be airing that the weekend before his Ryman performance. He promised to return and play some African Banjo. I'm really excited and hope everything goes well. I copied the info on him from Bonnaroo.com and am about to read it. You are welcome to as well! There should be some photo's, audio, and video from today to enjoy soon...

Bela Fleck
“Throw down your heart” on Rounder Records
The Africa Project – Ryman April 8th 7:30pm

Just in case you aren't familiar with Béla Fleck, there are some who say he's the premiere banjo player in the world. Others claim that Béla has virtually reinvented the image and the sound of the banjo through a remarkable performing and recording career that has taken him all over the musical map and on a range of solo projects and collaborations. If you are familiar with Béla, you know that he just loves to play the banjo, and put it into unique settings.

Born and raised in New York City, Béla began his musical career playing the guitar. In the early 1960's, while watching the Beverly Hillbillies, the bluegrass sounds of Flatt & Scruggs flowed out of the TV set and into his young brain. Earl Scruggs's banjo style hooked Béla's interest immediately. "It was like sparks going off in my head" he later said.

It wasn't until his grandfather bought him a banjo in September of '73, that it became his full time passion. That week, Béla entered New York City's, High School of Music and Art. He began studies on the French horn but soon switched to the chorus. Since the banjo wasn't an offered elective at Music & Art, Béla sought lessons through outside sources. Erik Darling, Marc Horowitz, and Tony Trischka stepped up and filled the job. Béla joined his first band, "Wicker's Creek" during this period. Living in NYC, Béla was exposed to a wide variety of musical experiences. One of the most impressive was a concert by "Return to Forever" featuring Chick Corea and Stanley Clarke. This concert encouraged further experimenting with bebop and jazz on the banjo, signs of things to come.

Several months after high school, Béla moved to Boston to play with Jack Tottle's Tasty Licks. While in Boston, Béla continued his jazz explorations, made two albums with Tasty Licks, and his first solo banjo album Crossing the Tracks, on Rounder Records. This is where he first played with future musical partners Sam Bush and Jerry Douglas.

After the break up of Tasty Licks, Béla spent a summer on the streets of Boston playing with bass player, Mark Schatz. Mark and Béla moved to Lexington, KY to form Spectrum, which included Jimmy Gaudreau, Glen Lawson, and Jimmy Mattingly. Spectrum toured until 1981. While in Spectrum, he and Mark traveled to California and Nashville to record his second album Natural Bridge with David Grisman, Mark O'Connor, Ricky Skaggs, Darol Anger, Mike Marshall, and other great players.

In 1981, Béla was invited to join the progressive bluegrass band New Grass Revival, lead by Sam Bush on mandolin, fiddle and vocals. With the addition of California based Pat Flynn on guitar and NGR veteran John Cowan on bass and vocals, New Grass Revival took bluegrass music to new limits, exciting audiences and critics alike. Through the course of five albums, they charted new territory with their blend of bluegrass, rock and country music. The relentless national and international touring by NGR exposed Béla's banjo playing to the bluegrass/acoustic music world.

During the 9 years Béla spent with NGR he continued to record a series of solo albums for Rounder, including the ground breaking 1988 album "Drive". He also collaborated with Sam Bush, Jerry Douglas, Edgar Meyer and Mark O'Connor in an acoustic super group called Strength in Numbers. The MCA release, "The Telluride Sessions", was also considered an evolutionary statement by the acoustic music community.

Towards the end of the New Grass years, Béla and Howard Levy crossed paths at the Winipeg Folk Festival. Next came a phone call from a friend of Béla's, wanting to introduce to him, a new bass player who was in town looking for a gig. Victor Lemonte Wooten played some licks on the phone for Béla and the second connection was made. In 1988 Dick Van Kleek, Artistic Director for the PBS Lonesome Pine Series based in Louisville, Kentucky, offered Béla a solo show.

Béla put several musical sounds together with his banjo, a string quartet, his Macintosh computer and also a more jazz based combo. Howard and Victor signed on for the concert, but the group still lacked a drummer. The search was on for an unusual drummer/percussionist. Victor offered up his brother Roy Wooten, later to become known as FutureMan. Roy was developing the Drumitar (Drum-Guitar), it was then in its' infancy. A midi trigger device, the drumitar allowed FutureMan to play the drums with his fingers triggering various sampled sounds. The first rehearsal held at Béla's Nashville home was hampered by a strong thunderstorm that knocked the electricity out for hours. The four continued on with an acoustic rehearsal and the last slot on the TV show became the first performance of Béla Fleck and the Flecktones.

Next came the self-titled CD, which Béla financed himself. The recording attracted the attention of the folks at Warner Brothers Nashville. It was released in 1990, dubbed a"blu-bop" mix of jazz and bluegrass, and soon became a commercially successful disc. The album was Grammy nominated, and their second recording "Flight of the Cosmic Hippo" followed suit. Howard Levy toured and recorded with the Flecktones till the end of 1992. After several years as a trio and touring with special guests, saxophonist Jeff Coffin joined the Tones. Famed for a non-stop touring schedule, the Flecktones have reached more than 500,000 audience members yearly from 2001 on.

Still releasing albums and touring, the Tones have garnered a strong and faithful following among jazz and new acoustic fans. They have shared the stage with Dave Mathews Band, Sting, Bonnie Raitt and the Grateful Dead, among many others, made several appearances on The Tonight Show back in the Johnny Carson days, as well as Arsenio Hall, and Conan O'Brian. Béla also appeared on Saturday Night Live and David Letterman's show as well.

Although the first Flecktones albums were created live-in-the-studio, the group went on to experiment with overdubs and guest artists on later albums, with contributions from artists as diverse as Chick Corea, Bruce Hornsby, Branford Marsalis, John Medeski, Amy Grant and Dave Matthews. The Flecktones went on tour with Dave Matthews Band in 1996 and 1997, and Fleck is featured on several tracks on DMB's 1998 album "Before these Crowded Streets." In 2003, Béla Fleck & the Flecktones released the landmark three-disc set "Little Worlds" simultaneously with a highlights disc entitled Ten From Little Worlds.

Any world-class musician born with the names Béla (for Bartok), Anton (for Dvorak) and Léos (for Janacek) would seem destined to play classical music. Already a powerfully creative force in bluegrass, jazz, pop, rock and world beat, Béla at last made the classical connection with "Perpetual Motion", his critically acclaimed 2001 Sony Classical recording that went on to win a pair of Grammys, including Best Classical Crossover Album, in the 44th annual Grammy Awards.

Collaborating with Fleck on "Perpetual Motion" was his long time friend and colleague Edgar Meyer, a bassist whose virtuosity defies labels and also an acclaimed composer. In the wake of that album's release, Fleck & Meyer came up with the idea of a banjo/bass duo, which they developed and refined during a concert tour of the US. Live recordings from that tour are the basis for their latest Sony Classical recording "Music For Two" which also includes a bonus DVD featuring a documentary film by Sascha Paladino (Fleck's brother) that captures the duo's collaboration and crafting of repertoire while on tour. Béla and Edgar also co-wrote and performed a double concerto for banjo, bass and the Nashville Symphony, which debuted in November 2003.

The recipients of Multiple Grammy Awards going back to 1998, Béla Fleck & the Flecktones picked up the Best Contemporary Jazz Performance, Instrumental Grammy in 2000 for "Outbound", a typically wide-ranging project, with guest artists that include guitarist Adrian Belew and singers Jon Anderson and Shawn Colvin, built around Fleck's concept of "the banjo being weird."

Flecks' total Grammy count is 8 Grammys won, and 20 nominations. He has been nominated in more different categories than anyone in Grammy history.

• www.belafleck.com/
• www.myspace.com/toumanidiabate

St. Jude Bake Sale May 2nd, 2009!

My Wife is spearheading a bake sale for St. Jude on Saturday May 2nd. I know right now she is looking for people and businesses to donate baking supplies and possibly some people to help bake. They are tax deductible donations and we will mention you during the event and on the radio in our promotion on Lightning 100, 100.1 FM WRLT Lightning100.com

Here is a blurb my wife emailed me about the event. If you would like to donate or get involved please email me at Buckley@wrlt.com and put St. Jude in the message. Thanks in advance!

I'm coordinating a bake sale to benefit St. Jude's Children's Research Hospital. We're seeking donations from many different places, but I'm still going to end up doing a TON of baking myself - hundreds of jumbo cookies, brownies, rice krispie treats, etc. I've tried contacting General Mills, Nestles Toll House, etc. to see if they would donate some of their products and sadly, they declined. In an effort to offset some of the costs for myself and the other volunteers I have to bake, I thought I would see if anyone here would be interested in helping out a great cause. 100% of the sales will be given to St. Jude's - I'm not seeking to reimburse myself or any volunteers for our out-of-pocket costs....any money that I spend is my gift to St. Jude along with my children, because I'm using this opportunity to teach them about giving and helping others. I do have official paperwork that I can provide to show that this is legitimate.

While I'm not looking for a handout, I won't turn down any flat-out donations -- for those I'll be very grateful! I could also pay a small price for items. We have radio station backing, and will be thanking sponsors and donors on-air, along with handing out a sheet with all of our sponsors and donors listed to people who make purchases the day of. While I'll gladly spend hundreds of dollars to support St. Jude if I need to, it would be really nice to be able to offset some of the costs. I've been blessed with healthy children, but also know that things can change at the drop of a hat, and I really feel in my heart that St. Jude is the best cause that I can support....I'm sure those of you with children and grandchildren feel the same in that they're a wonderful resource for families that need them.

Some of the items I'm seeking include: flour, sugar, brown sugar, chocolate chips, brownie mixes, rice krispies, marshmallows, oatmeal, raisins, muffin mixes, quick bread mixes......things of that nature, things that I and my volunteers can use to produce goods to sell at our sale. Also, saran wrap, zip lock baggies, things like that to package our goods. If you can find it in yourself to help us, we appreciate it SO much and thank you!!

Justin Townes Earle

Justin Townes Earle

Justin is my in studio guest today @ noon. I am really excited to have him on the show. Saw him recently at Grimey's and thought he was fantastic. Just listened to his new record, "Midnight at the Movies" and was honestly surprised by how much I enjoyed it. Listened to it twice in a row back to back. The son of Steve Earle, about all they share musically is passion and ability. The style itself is all to its own and feels like it could have been made in the 50's or 60's. It is a great record that may never have the acclaim it deserves but hopefully will. If I was program director for a station like WSM we would be playing a few tracks from it right now! I also think the song we featured on the Local Lightning Spotlight certainly rivals the original version, to say the least! The replacement cover, "Can't hardly wait" would sound great in regular rotation on any triple a station in the country.

He is performing night two of three at The Basement tonight and I highly recommend you attending the show if possible!

Blitzen Trapper at The Mercy Lounge Tonight

After a long day at the office, I am about to head out to a fun show in Nashville. Blitzen Trapper is playing The Mercy Lounge and I am really excited to finally catch their live show. I missed them when they played here and had Fleet Foxes as an opener at Exit In.

Here is the official subpop video for their song Furr. I really like this video. This song has a 60's feel to it and in a way so does the video.



http://www.youtube.com/watch?v=CmBgxP56R1I

Here is a performance they did on Conan



http://www.youtube.com/watch?v=GzCi6qr5qKw

On another note. I did not interview anyone this week or have anyone perform on the show. I thought I had Bela Fleck booked for Thursday but it ended up falling through. I have already interviewed him but he had promised to come on my show and play some African banjo. That would have been really great and if I'm lucky it will eventually work out.

Here is a preview of Bela Fleck's documentary about his travels to Africa

http://kidlogiclovesyou.com/clients/bela/Throw_Down_Trailer.mov